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THIS is the #1 thing that trips up writers

Do you know what the #1 thing is that trips authors up when they’re writing?

I’m talking even authors with a great voice.

Authors with an incredible premise for their book.

Authors with all the talent in the world.

It’s TIME.

And specifically it’s time management.

I can’t tell you how often I see writers coming down to the wire of a deadline and not being able to accomplish all they wanted to with their story because time caught up with them. Or they had to extend the deadline and then got stressed because it still wasn’t enough time. (For all of my clients who are reading this and going "is this about ME?" it's not! I know how you all think.)

Obviously, none of us have as much time as we would like, with so many responsibilities and goals and desires pulling us in different directions. (I promise, this will not turn into a “just wake up early and write!” kind of email. First of all, I would never tell you anyone to wake up at 5 a.m.—5 a.m. does not EXIST to me—and I also get that for many people, there is literally not enough time in your day to stretch any further.)

As a romance writer, especially if you’ve already written at least a book or more, it feels like there’s a very loud ticking clock to release the next book and the next book and the next, and there’s not a lot of time to breathe in between. I could go on and on about how this is a function of capitalism, and of an oversaturated publishing market that requires romance writers to produce at a rate that will eventually burn most people out if you don’t put your foot down—but you have probably heard this from me before.

I cannot magic you more time to write, but I can offer you some ideas to help you give yourself enough time to write a great book: 

Be realistic 

There are a lot of timelines pressing on you as you write a draft: your own internal deadline, the deadline to get it to your editor (the latter two often end up being one and the same), scheduling betas/ARC readers/proofreader/cover artist/etc. Lots of people are counting on you to make those deadlines, so you need to be so for real about how long this is actually going to take you. 

Consider the complexity of the story you’ve set out to write, what else you’ve got going on in that time (is there a holiday? is it a busy time at work? are your kids doing multiple extracurriculars that you have to ferry them to and from?), and how much you can write in a day/week/month. 

So, if you’ve never written a book in less than four months, but you haven’t started yet and you want to release in September? Let’s not do that to yourself or to everyone else involved in the production of the book. You might not get it out in the insanely short timeline publishing experts “say” you should get it out in, but you have to give yourself the liberty to take a little longer and let your creativity have room to breathe and not feel so stressed out. Do NOT burn yourself out for the sake of a completely arbitrary deadline.

Budget your time

When I was a TA in grad school, I often left my grading until the last minute, which meant I was marking a stack of undergrad English essays in a two-day frenzy. After too many late nights of essays beginning with “Since the dawn of time…”, I finally decided I would divide up the essays so I had X number to grade per day over the week or so that I had before I had to hand them back. Total common sense, and yet it took me years to figure it out.

Do the same with your writing. How many words can you write in a session? How many words do you expect the book to be? When do you want to be done by? From there, work out how many days you need to finish the book.  

You definitely do not have to write every day without fail (I actually think it’s better for most writers to not write every single day), but again be realistic about how many days you can write per week and for how long per day. Build in extra time for the days when things come up and you can’t write at all or as much as you’d like, or in case the book gets longer than you anticipated. 

Do not fall victim to the pressures of publishing

One of the reasons why there’s a push to get books released multiple times a year is because the market is so saturated that readers will forget about you if you’re not feeding them books regularly. And apparently the Amazon algorithm responds better and pushes you out more when you’re publishing at regular intervals, but it’s not at a pace that most writers can easily maintain. If it’s every four months, that’s three books a year, which maybe you can do once or twice (and that’s not possible for most people), but imagine doing that nonstop, forever. You’d get bored or frustrated or burnt out trying to keep that consistency.

I’m a fan of consistency, but consistency that actually works for you. If your goal is to be a best-selling author or to write full-time, yes, you have to put out a lot of books quickly to start getting momentum—and then you can let off the gas once you’ve got enough of a backlist and a fanbase that you can make money regularly. 

But if your goal is simply to write your books, put them out into the world, and hopefully make some money off of them as a part-time gig, there is much less stress on you to release books at an unsustainable clip—a book or two a year is going to be enough for you.

And if you don’t want your readers to forget about you, make sure you give them lots of incentive to sign up for your newsletter (have a really good lead magnet) and to follow you on social media so they know what’s going on with you and can get hyped for your next book.

Don't let time steal away just how good your book can be!

This was originally published in my newsletter. If you want more on what’s new and important in romance writing, marketing, and the romance industry at large, join my newsletter and get my Romance Resource Roundup, a collection of the BEST romance books/websites/podcasts you should be consuming as a romance writer.

Can you be a romance author without being on social media?

Honestly, does anyone want to be on social media anymore?

If I didn’t have to be, I probably wouldn’t be. (I would probably have an account so I could lurk, but my real life is way too boring for anyone to be interested in what I take pictures of.) And I think most authors don’t want to be on social media either, or at least don’t want to be spending their time promoting themselves there.

So, what if you could just… get rid of it entirely? Do you NEED to be on social media as a romance author, especially an indie one?

Well…no.

Wait, wait, wait—I don’t want to get your hopes too high.

I mean, if you don’t want to do it, you don’t have to. There are lots of other avenues open to you. Unfortunately, they will probably cost you a lot more money than free social media (but then, how free is it when it’s costing you time and energy that you could spend on other things?). Here are some of those other avenues:

  • Amazon ads, which if you can figure them out can be fruitful—but the learning curve is steep, from what I’ve heard. And you can pour a ton of money into them before you can figure out how to most effectively use them

  • Book promo sites, like BookBub and many, many others (David Gaughran is my go-to guy for everything book promotion, and he has a big list of them and how to use them here)

  • Hiring a company to distribute your book to book influencers to create posts for virtual book tours (e.g. cover reveals, release date blitzes, reviews, etc.)

  • Giveaways of print or ebook copies

  • Accessing NetGalley or other paid sites to reach ARC readers to review your book

  • Book influencer friends or fellow authors shouting out your book (this one is free, but you have to cultivate these relationships—which might be hard to do without social media, especially for the introverts)

  • Word of mouth (also free, but this one is mostly just luck of the draw and can take a long time—one of my clients’ books was mentioned on a busy romance subreddit, and she saw a huge spike in sales just from that)

  • In-person events: romance conventions (which may include travel, hotel, and con costs); talks at local libraries, bookstores, book clubs, etc.; an in-person book tour (if you’ve really got money to travel)

  • Your own newsletter, Substack, Patreon, etc. (links to all of those should be in the back matter of every book you write)—and yes, a newsletter is a non-negotiable for every author, whether you use social media or not

This guy seems to think that authors don’t need social media in 2025, but he doesn’t really give a lot of alternatives. Apparently all you need to do is just be successful as an author and then you don’t need to use social media at all!

But realistically, what do you as an indie author really have to do to sell your book?

As much as I’d love to say that all you need to do is write a great book, that’s just not the case for even the greatest author out there. Trust me, I’ve seen so many books from my own clients that I think are stellar and are beautifully written and deserve all the hype and sales—and they don’t have them.

So: you absolutely do have to promote. If you’re indie—and even if you’re trad, and especially a trad BIPOC author—you will probably be doing that legwork all on your own, unless you can afford to throw money at the problem. And you will have to throw some money at it in order to look professional. (Your cover counts as promo, and please do not skimp on that—we can all tell when a cover has been made by someone who doesn’t have experience designing romance covers specifically.)

You need a promotional strategy that includes some paid methods (like a virtual book tour, for example) and some free ones. So I really don’t think it’s a good idea to abandon social media entirely, unless you are indeed SO big that you don’t need it. There’s so much noise on social media, but if you can carve out your own little niche, it’s a great way to talk to your readers and to find more. Also, I am someone who lovesa deal—and social media is free, and I love free.

That said, social media is hard work. I’ve said this a million times here, you have to promote way more than you’re doing right now, whether that is on social media or elsewhere. With the way algorithms work, people aren’t seeing your posts enough, so you have to just go hard with quantity and put out a ton of posts to get visibility.

And yes, promo as an indie author SUCKS. It’s probably not something you’ve been trained to do so it’s hard and exhausting, and it takes time and energy away from doing the thing you’re here to do, which is write the books. I get it—all I want to do is edit and book coach, and making silly Reels is not something I super love. But I do it because it supports the things I actually want to do by getting me in front of potential clients who will hopefully follow and then hire me.

Listen, I am rooting for you to get so big that you don’t have to have social media. In the meantime, though, use it to your best advantage as a tool in your promo arsenal!

This was originally published in my newsletter. If you want more on what’s new and important in romance writing, marketing, and the romance industry at large, join my newsletter and get my Romance Resource Roundup, a collection of the BEST romance books/websites/podcasts you should be consuming as a romance writer.

The question all romance writers are asking right now: to KU or not to KU?

You may have seen a lot of people lately talking about how they’re going to stop buying from Amazon, and as a consequence will be getting rid of their Kindle Unlimited subscription. If you’re a romance author on KU, you may have seen a downturn in your page reads since January. If you are on social media, you may have seen lots of book influencers and authors and others (me included!) imploring people to keep their KU because it helps authors, who are essentially small businesses who happen to need Amazon in order to run said business.

So as an author, what do you do right now when a huge income source is being boycotted and affecting your take-home pay? Do you stay on KU, or is it time to jump ship?

As a reader, I love KU. I get my money’s worth every month with the way I read—like many romance readers, I go through a ton of books in a month between KU, the library, and actual purchases (though I have shifted from buying ebooks on Amazon to buying on Kobo). KU is not only an economical way for me to read a lot, but I’ve found some of my favourite writers on KU, and KU gives me a ton of flexibility in my reading tastes (just this weekend, I was like, “I need to read something UNHINGED”—there’s no better place for KU than that).

But as someone who supports authors, I’ve long been wary of KU and its practices (peep this blog post from 2018! Who remembers Cockygate?), which tend to be not at all transparent and can seem almost indiscriminate in the way it applies its rules and exercises its authority. And now in 2025, the KU romance market, which was alwaysoversaturated, is even more so, which means there’s less money in the pot and more competition for eyeballs and page views.

Still, KU remains one of the best places for discoverability if you’re able to cut through the noise and carve out your own niche there. And for readers like me who are willing to try a new-to-them author based on a gorgeous cover or a great blurb or an enthusiastic recommendation, it’s a way to discover a new favourite author.

KU’s exclusivity requirements have always been a headache for authors. You cannot put your books for sale anywhere but Amazon while your books are in KU, which obviously narrows your potential sales, and Amazon can get very punitive if you’ve forgotten to take down one book on one other platform. Basically, they very much encourage putting all your eggs in their Amazon basket—but now that Amazon is facing backlash, is it still worth it to stay?

I still think it's worth being on KU because it's still where the readers are. There hasn't been enough of a mass exodus yet to warrant jumping the ship. BUT...there are more options now for authors going wide, so maybe it's time to reconsider your strategy?

Going wide (i.e. not being on KU) is an uphill battle—you need to convince people to pay money to take a chance on an unknown quantity. But you have a lot more freedom and a lot of places to experiment and find your niche. (This can be a good or a bad thing, depending on how much work you want to put into your strategy and how much time you have for experimentation.)

But if you're hoping to divest yourself from Amazon entirely, being wide won't necessarily do that. You probably still want to sell your books there (it controls the majority of the market). And having your books wide is more work for you to keep track of them on all platforms, which will not have nearly as many sales as Amazon. Amazon has so ingrained itself in the book market that trying to extricate yourself from it—as a reader or as an author—has become very, very difficult. So, unfortunately, a strong ethical position against Amazon is not really for your author business—but of course that's your decision to make.

If you do want to go wide, I’d suggest experimenting a bit when you have a few books under your belt—can you put some in KU and some wide, and see how they do and determine where the best place for you to be is?

If you’re wide, you also might consider putting your book in Kobo Plus, which is Kobo’s version of KU. Unlike KU, it does NOT require exclusivity, so you can sell your books on other platforms too. It’s not nearly as saturated with romance as KU is, but there are also way fewer readers there than there are in KU. The royalties aren’t a ton more than KU (here’s a nice comparison of KU vs Kobo for authors), but if readers are jumping ship from Amazon, they’ll probably head over to Kobo for book sales and to Kobo Plus, which gives readers unlimited borrows per month and includes audiobooks in one of the plans. 

If you remember the heyday of KU in the mid-teens when people were making big money on there, Kobo Plus hasn't gotten to that heyday yet, as it's still in its relatively early days. So I think there’s a lot of opportunity for authors to find their niche and their audience on Kobo Plus, especially as it grows—you’d basically be getting in at the ground floor now. And if readers are leaving KU, Kobo Plus, with its similar format, is probably where they'll go. But to be on Kobo Plus right now means you can't be on KU because of their exclusivity clause, and there are more readers (and money) on KU than on Kobo Plus.

I don’t want to say “yes, everyone should be on KU!” or “no, get off of KU ASAP!”—it really depends on a variety of factors: how many books you have out, what kind of romance you write, where your ideal audience is and how they read, how quickly the market changes, the concerns of your particular business, your ethical stance, etc. etc. I want you to make the choices that are best for your creativity and your author business so you can continue to grow. Don’t be afraid to experiment and see where you’re actually doing really well—maybe it’ll surprise you?

Where are you at right now? To KU or not KU? If you’ve always been wide, have you considered KU or Kobo Plus?

This was originally published in my newsletter. If you want more on what’s new and important in romance writing, marketing, and the romance industry at large, join my newsletter and get my Romance Resource Roundup, a collection of the BEST romance books/websites/podcasts you should be consuming as a romance writer.

What romance writers need to be doing in 2025

With every new year comes new resolutions, new goals, new outlooks. Even if you’re not a resolutions person (and I’m not, personally), there’s still something about a new year that’s hopeful about the ways you can change in the next 12 months.

To make 2025 a great year for you, I want to offer this piece of what is maybe tough love to keep in mind:

What you’ve been doing has to change.

Listen, I’ve said this many times before: I HATE change. I like my comfort zones. And there’s something to be said for consistency in doing the same thing over and over again, right?

Consistency is great, but there comes a point when consistency becomes stagnancy. And stagnancy means you aren’t growing. Sooooo…something’s gotta change, even if you really don't want it to.

Doing the same thing you’ve been doing in your writing career—whether that’s in your writing itself or in your marketing—is probably no longer serving you, especially if you haven’t adjusted it in a while.

And things are changing rapidly right now for romance writers. If you’ve been using TikTok, after the bait-and-switch where they almost disappear and then magically returned, I would be very wary of its continued existence and of the potential reach being limited if you say anything political. (And romance? VERY political. I won't even get into the precarious space romance is in as a target of conservative censorship with the new American administration.) 

(If the TikTok social media frenzy has shown us anything, it’s that you can’t rely on platforms owned by billionaires who only care about their bottom line. Your newsletter is your direct line to your readers—cultivate that! Here are some ideas for newsletters if you need them. Also, make sure you download your list regularly in case anything goes wrong with your newsletter distributor—my friend just had a heartstopping moment where all of her accounting data disappeared because the app stopped service, so this is a good reminder to always back up info you store online!)

If you didn’t use TikTok and have been congratulating yourself for choosing Instagram instead, how will you react to an influx of TikTokkers coming onto IG and taking up more space in an already saturated platform? If you want to get seen there, you're going to have to innovate and stay on trend.

We’re going to have to learn to pivot to adjust to changes out of our control. (Which I know is a big ask when so many other things not related to romance are even more frightening and out of control.) So what can we do to be more adaptable?

It’s honestly a good time to take some risks and stretch a little outside of your comfort zone. Experiment, try something new—and stick with it for a while so you can see some actual results and whether they’re positive or negative. Don’t just try something once and say “welp, didn’t work” and go back to what you were doing before. What worked before isn’t going to work forever.

So maybe you write the story that you’ve been working yourself up to write for years. Maybe you forget all the fear and go unhinged with it. Maybe you try a new subgenre, or even a whole new pen name. Maybe you put your face out there more on the socials. Maybe you forget about the socials entirely and pour all of your focus into building your newsletter and turning your readers into lifelong fans.

What happens if it doesn’t work? Hey, at least you tried. And like I said, staying stagnant and not changing isn’t doing you any favours. You’re going to have to constantly adapt in this industry, and you have to get used to flexing that muscle so you can adapt faster.

So try something different this year. I dare you.